The atmosphere in Oshodi was electric on Sunday as Ambassador Sulaimon Adio, popularly known as Atawewe and revered as the pioneer of Dancehall Fuji, made a powerful comeback to the area—his first major appearance there in years. The occasion was the 55th birthday celebration of socialite and Lagos figure, Koko Zaria, and Atawewe’s performance proved to be nothing short of iconic.
But beyond the music and festivities, the event bore the undercurrents of a long-standing rift.
Once a close ally of former Lagos NURTW chairman Musiliu Akinsanya, popularly known as MC Oluomo, Atawewe fell out with him after challenging his style of leadership. Sources close to the matter revealed that Atawewe had advised Oluomo to lead with fairness and prioritise justice for his subordinates. That counsel, however, reportedly offended Oluomo, who allegedly chose pride over partnership and later vowed to prevent Atawewe from ever performing in Oshodi again—a stronghold he considered his personal domain.
On Sunday, that narrative was rewritten.
Atawewe’s return was not just a musical spectacle; it was a statement. Backed by a vibrant ensemble of dancers and percussionists, his performance thrilled the crowd and reaffirmed his deep connection to the people of Oshodi. Yet, what made the night even more memorable was his message—one of peace, unity, and reconciliation.
Rather than dwell on past grievances, Atawewe used his platform to uplift the community. He reminded the audience of Oshodi’s rich history and the importance of solidarity. In a particularly poignant moment, he addressed Taloskibo, encouraging him to embrace his return to leadership as an opportunity to heal divides rather than deepen them.
Atawewe also commended the current Lagos NURTW chairman, Alhaji Mustapha Adio Adekunle (popularly known as Sego), for his wisdom and maturity in restoring calm and fostering unity among transport workers. He expressed gratitude for Sego’s inclusive leadership and pledged to maintain a strong presence in Oshodi, driven by the unwavering support of its people.
The night marked more than a return; it was a powerful reminder that authenticity, courage, and community always outlast the noise of intimidation. In reclaiming his space with grace and strength, Atawewe not only reasserted his musical legacy but also subtly exposed the futility of past threats. Ultimately, the love of the people drowned out the echoes of division—and music once again became a bridge where walls had been built.